Sid Sagar

His theatre credits include Mrs Warren’s Profession (Garrick Theatre), Ballet Shoes, The Father and the Assassin (National Theatre), Cabaret (Playhouse Theatre), The Crucible, hang (Sheffield Theatres), The Starry Messenger (Wyndham’s Theatre), The Book of Dust: La Belle Sauvage, Julius Caesar (Bridge Theatre), Queen Anne (RSC at Theatre Royal Haymarket), The Invisible Hand, White Teeth (Kiln Theatre), The Tempest, Cymbeline, The Oresteia, Eternal Love (also for ETT), The Taming of the Shrew (Shakespeare’s Globe), Treasure (Finborough Theatre), The History Boys (UK tour) and True Brits (Edinburgh Festival Fringe, Bush Theatre). 

His television credits include Big Mood, Best Interests, Slow Horses, The Capture, CBeebies: As You Like It, CBeebies: Twelfth Night, Anatomy of a Scandal, A Discovery of Witches, Unprecedented, Silent Witness, Wild Bill, Press, The Hollow Crown and The Lost Honour of Christopher Jefferies; and for film, The Last Disturbance of Madeline Hynde, The Fall of Sir Douglas Weatherford, The Batman, Cruella, Belfast, Death on the Nile, Dolittle, Ready Player One and Murder on the Orient Express.

As a writer, theatre includes Biting Point (Hull, UK tour) and film includes Baked Beans.